I've got ultimates also

Wish i posted this early then later but i've got myself ultimates (Who are like the avengers but different) I've been trying to get this on for quite awhile but i got it and part of ultimate marvel take on the avengers but not the earth 616 they're more reimagine and way different. 

Iron man (alcoholic)

Ant man (Now call giant man) and Wasp (Janet Van Pym) Dysfunctional Couple

Hulk (Cannibal) 

Captain America (Hates the french) 

Hawkeye and Black Widow Normal you name it. 

I'm on the pages where how steven rogers is now captain america and like his suit and working within the team. This is pretty much how ultimate avengers adapted the comics into direct to video (back when it was different by warner bros and there decent movies before new 52 edge movies) I use to watch it when i was 12-13 years old. It was here that my love for ultimate universe came to be well i remember seeing the ultimates but i was more familiar to ultimate spider man and earth 616 avengers. I really like it and this was written by Mark Milliar heard he's quite awesome. 

I finally got it.

Sometime ago, I remember reading Ultimate Spider-Man around November 2014 if only I remembered the day too, it was from my high school i readed and gave it back and it was Ultimate Spider-Man: Chameleons, and this took place after ultimutum and I read the entire page and amazed by the artwork too that felt like it was going for a different direction of course, when they killled off peter parker until he wasn't and reveal to be alive (Classic move). But this one, back in 2014, made me recall my love for Ultimate Comics by the 2000s and Ultimate Spider-Man, my inspirations, and I love the artwork too; it felt like being back in 2010 once again. I got ultimates as well, so I plan to post them too. 

Changes to the pages.

If it was christmas or my birthday i would definity show everyone one of my presents or what i got from the mail or something but any case here it is the pages or so i thought of about, if you're doing a comic book you'll pretty much ask for a new change for your characters. From Top to.

Down here, where Timmy was gonna be wearing his classic shirt, but i request for modification to my artist, and the next day I've got 

These are the changes made to Timmy's new appearance, which was before he was wearing a red shirt but i thought of a blue hoodie zip up and still the same, but i should have thought of changes to Danielle's and aiden also Teresa being of the 50s mom style dress, maybe later next issue, later on. We are coming closer and closer to the final pages sometime later this week or next week i'm gonna talk with my artist and later the letter as well. 

 

Why i prefer old content and nostalgia shows

I’ll start by saying this upfront: I know I’ve been gone for a while. Life got busy, I was swamped, and I honestly didn’t have the time or energy to keep up with this blog. But with Christmas around the corner, I figured this was as good a time as any to come back and actually say what’s been on my mind. Lately, I’ve realized I’ve grown tired of most modern entertainment.

Apart from the occasional recent movie—which I usually don’t even finish—I’ve lost interest in a lot of what’s considered “popular” today. Minecraft doesn’t hold my attention anymore. I haven’t felt any excitement for superhero films, Wicked, Fallout, Invincible, or many of the shows people constantly recommend. They’re supposed to grab you instantly, but for me, they just don’t. And it’s not boredom—it’s burnout. The more I thought about it, the more I realized that modern content often feels like it’s missing something important: soul.

So I started looking backward instead.

The 80s.

The 90s.

The 2000s.

Even the early 2010s.

I revisited The Raccoons from the 1980s and had a genuine “wow” moment. The music was memorable. The writing had heart. The stories were thoughtful without being preachy. It respected the audience. The same goes for so many films and shows from the 2000s—there was a clear sense of care in how they were made. The camera work mattered. The pacing mattered. The characters felt like people, not talking points. What frustrates me about modern entertainment isn’t progress—it’s priorities. Everywhere you look now, content feels designed around buzzwords: modern audience, representation, the message. Social media constantly pressures creators to make stories that check boxes instead of telling meaningful narratives. Characters often feel like they exist to serve an agenda rather than to grow naturally within the story.

When I look at things like FNAF, Minecraft-related media, Stranger Things, K-pop tie-ins, or the flood of demon-hunter-style shows, it all feels mass-produced. Polished, sure—but empty. Built to trend, not to last. That doesn’t feel like art to me. Now, to be clear, I’m not saying all modern content is bad. Godzilla Minus One is a great example of how modern storytelling can still work. It focused on emotion, restraint, and strong visual storytelling instead of nonstop spectacle. It reminded me of older films that trusted atmosphere, camera angles, and character-driven stakes to carry the story.

That’s why I keep returning to older content. But yet we look back kept our stuff from the past like dvds or vhs and that is older content that goes beyond just liking the shows or movies themselves. It’s the experience i think about how we used to watch things—DVDs stacked near the TV, VHS tapes rewound and ready, waiting all week for a show to come on at a specific time. Sitting in the living room, lights dimmed, sometimes with family, sometimes alone, but always present. You didn’t scroll while watching. You didn’t half pay attention. You watched because that moment mattered. And when something ended, that was it. No autoplay. No algorithm pushing the next thing. Just silence, reflection, maybe a comment like, “That was really good,” before the TV went off. That feeling is gone now. Back then, owning media meant something. DVDs and VHS tapes weren’t just plastic—they were memories. You remembered which movie skipped, which tape had worn-out sound, which DVD menu music still played in your head years later. Music videos felt the same way. You’d catch them on TV, or maybe record them, and they stuck with you—not because they were viral, but because they had identity, sound, and atmosphere.

Even the comments today reflect that loss. Scroll through any old clip or re-upload and you’ll see it:

“I remember watching this after school.”

“I used to sit on the floor in front of the TV.”

“This brings me back.”

Those comments aren’t about hype—they’re about shared memory. Modern content doesn’t give us time to form those attachments. Everything is disposable. If something doesn’t grab you in ten seconds, you’re told to move on. New shows, new trends, new music—constantly replacing each other before they can mean anything. Older content had room to breathe. Think of how shows from the 80s, 90s, 2000s, even early 2010s weren’t afraid of quiet moments. Music videos focused on mood and sound instead of chasing trends. Films trusted camera angles, pacing, and emotion. You weren’t being shouted at by editing or messaging—you were invited in. That’s why nostalgia isn’t just “rose-tinted glasses.” It’s remembering a time when entertainment felt personal. When watching something meant being there. When stories weren’t designed to be consumed and forgotten, but experienced and remembered. And maybe that’s why so many of us still hold onto old DVDs, VHS tapes, playlists, and reruns—not because we hate the present, but because we miss when art felt like it was made by people, for people. Not just because of nostalgia—but because it feels human. It feels like someone cared about what they were making. Until modern entertainment starts prioritizing passion, creativity, and genuine storytelling again, I’m more than happy revisiting the shows and films that understood those values in the first place.

I’ll gladly sit back with the old stuff—the shows, the music, the memories—and remember what it felt like to just watch, listen, and be present.

My comic book pages are almost there.

 

Alright, alright, this year has been........ Interesting well so far at least and now the pages are coming closer and closer before the last pages are done. 

What you are seeing here is Timmy with his siblings at breakfast before he starts his next day at school and asks him about his school trip. This is a rough sketch from my artist, Marce, who is making great progress. I am beyond impressed by the work. 

The second photo is the finished image, the images between up and down, and the one on top before the color image as well 

It shows timmy coming downstairs from the rough sketch before it made it to the next images and color ones, though the dialogue itself however will be handle by someone else too who managed to help out and he'll work on it. 

What can i say i hope the comic book is out by this year will see how it goes. 

So 2026 is coming

By the time i write this around new years eve i want to say that this year has been rough for me lately i know that i haven't been posting that much since year and been busy with life too but i'm hoping 2026 will be better and hopefully not worse i'm not gonna say much of 2025 or my personal life but let's just say it's been rough and good lately I passed in my first course and now on to the next one. My comic book series is almost done so hoping i get three or four pages left and then i get to publish it to a book publisher and see what we can do about it. 

This year has seen some ups and downs, lately the loss of Val Kilmer and also i found out that it's been one year since britt allcroft passed away since 2024 and i really like and admire the work she's done before on thomas the tank engine i forgot to talk about here and when the news broe i really felt sad and miss her very much althought i never get to meet her and i wish i could have told britt is thank you for making thomas part of my childhood and i know i struggle and thomas has stay in my heart for all my life. 

Thank you britt allcroft rest in peace. 

Also snow storm which i really can't stand, and I almost lost power. 

Happy new year all! 

Back and where do we go from here.

Hello all, it's been a long time since I have been away, but I just wanna leave this here to let you know that I passed my work and am on to the next semester, and looking forward to it and where we go from here. So I know I have been away for four months cause of my studies and life as well, and taking it easy and hoping that if I get to talk about what I have in mind or what has been kept as a draft, who knows, maybe one day any given topic interests me, I'll write about it. My comic book is coming along soon, and hopefully next year it'll come out.

Also, it's Christmas, maybe I could talk about it. We'll see if I can talk about those specials too, and I know this year has been rough for me and you, but I'm hoping 2026 will be better. Dear Lord, we are getting old. 

Taking some time off

So it seems like I have been busy lately which was rather unfortunate and I do apologies for and I was away with a lot of stuff and I wanted to talk of more but due to my life and getting a burnout from the summer has affect me. 

I haven't thought of posting much as if i don't have time to been busy with everything and i have planning to post whichever i can. Still, lately this summer hasn't been great mainly due to being a dry summer with no rain. I suffer one or two headaches and marginas too which resulted of me to stay home and do whatever i can in the house and i'll be going back to study back in college too mainly a trade in or apprenticeship. However, I don't think I'll have the time to write any blog posts, which means there'll be fewer posts around here. I did have plans to post more and had ideas that I thought about and plan to post one day, but they'll be on hold for a while and i'll be away to be take things slowly. 

Sonic vs. She-Ra: A Tale of Two Reboots — and Two Very Different Reactions to Backlash

In the last few years, we’ve seen legacy characters brought back to life through reboots, remakes, and reimaginings. Sometimes it works. Sometimes it crashes and burns.

But when fans speak up, how studios respond can make or break everything.

Take Sonic the Hedgehog (2020) and She-Ra and the Princesses of Power (2018) — two reboots that sparked intense backlash. One became a redemption story. The other, a cautionary tale.

Sonic: The Backlash Heard Around the Internet

When the first trailer for the Sonic movie dropped in 2019, fans immediately recoiled. Sonic’s design looked... horrifying.

Human teeth

Tiny eyes

Long, awkward legs

None of the charm or fun of the classic game character

It was so universally hated that the outcry became a meme. But instead of digging in or dismissing fans…

The studio listened.

They delayed the film, redesigned Sonic into something that honored the original, and the result?

Fans praised them.

The movie was a box office success.

It spawned a sequel, merch, and goodwill.

She-Ra 2018: The Wall of Denial

Now compare that to She-Ra and the Princesses of Power.

When Adora’s redesign leaked before the 2018 reboot aired, fans had real concerns:

Why does she look so androgynous?

Why remove her classic femininity and strength?

Why does she look more like a teenage boy than a 14-year-old girl hero?

The backlash was loud—but instead of listening, the creators and defenders:

Accused fans of being sexist

Dismissed criticism as “toxic”

Used LGBTQ+ representation as a shield from all artistic critique

The result?

No redesign.

No accountability.

No respect for the source material.

And a fandom divided by identity politics.

Why One Listened and One Didn’t

The difference is simple:

Sonic’s team respected the fans.

She-Ra’s team insulated themselves with ideology.

Sonic was treated like a character. She-Ra was treated like a statement.

And that’s the problem.

Lessons from Both

Fans don’t hate change. They hate being ignored.

If you want to modernize a legacy property, respect what made it iconic—don’t replace it with a lecture.

If you hide behind identity and refuse critique, you’ll lose the fans who made your property worth rebooting in the first place.

Final Thought

Sonic got hated—and got better.

She-Ra got criticized—and labeled the critics as haters.

Which approach built trust?

Which one burned bridges?

The answer is obvious. And it’s a lesson every studio, showrunner, and “progressive” writer should keep in mind before the next reboot drops.

The Truth About She-Ra 2018 – What Everyone’s Too Afraid to Say

When the 2018 She-Ra and the Princesses of Power reboot was announced, fans of the original were excited—finally, a modern update to a beloved, iconic heroine. But when the first character designs leaked, that excitement turned to confusion, frustration, and for many, disappointment.

And when those fans voiced their concerns? They weren’t met with answers. They were met with labels. This post isn’t about hate. It’s about what went wrong, why people were afraid to talk about it, and why it matters that we do now.

---

The Redesign That Sparked a Firestorm

Let’s be blunt: the new Adora didn’t look like She-Ra.

She looked like a gender-neutral athlete, stripped of all femininity, grace, or heroic appeal. Gone was the strong, regal warrior—replaced with a boxy, flat, indistinct figure that, to many, resembled a young boy or a transitioning teen more than a 14-year-old girl with destiny on her shoulders.

People asked:

“Why does she look so masculine?”

“Why erase her femininity?”

“Is this even She-Ra anymore?”

And rather than engage with those questions… the creators and defenders shut them down.

---

The Wall of Defense

The response from the show’s team and parts of the media was swift—and condescending.

“You’re just mad she’s not sexualized.”

“You must be sexist.”

“You just can’t handle progress.”

No acknowledgment of legacy. No engagement with the actual critique. Just political shielding. As if to say:

> “If you don’t like it, you’re the problem.”

With that being said and we look at the artistic integrity and ideological arrogance.

Why So Many Fans Stayed Silent

So why didn’t more people speak up?

Because they were afraid. In a time where disagreeing with a design choice could get you branded a bigot, sexist, or worse, many fans chose to stay quiet. Others watched the trailer, enjoyed the animation, and convinced themselves it was "fine." Even if the design still felt off, they let it slide to avoid the online mob.

But Now There’s a Shift

Videos like:

Jayne Theory’s takedown of the Netflix reboot

Analysis of why people actually hated the design

Fans are cheering the Amazon reboot for not following 2018’s direction

…are showing that fans are ready to speak the truth.

The Amazon live-action reboot is confirmed to be a clean slate—it won’t follow the 2018 version—and fans are relieved. Because finally, someone’s listening.

What About Catra?

Let’s not forget Catra’s arc. A character who:

Tried to destroy the world

Betrayed everyone she cared about

Emotionally abused allies

Was complicit in war crimes but she gets a redemption arc with no real consequences, and ends up kissing the protagonist. So was this about storytelling? Or about pushing a symbolic queer romance?

It felt less like justice and more like agenda-driven immunity.

The Real Message

This isn't about being anti-progress. It's about fair storytelling. If a character does wrong, they should face the consequences—no matter their gender, race, or sexuality. If a redesign removes everything iconic about a character, it should be open to critique. And if studios can’t handle feedback, they shouldn’t be making reboots.

Final Thought. 

The She-Ra 2018 reboot didn’t fail because fans were hateful. It failed because the creators refused to listen—and shielded weak design behind politics. Art thrives with accountability. And that’s why the Amazon reboot has a chance to get it right. Let’s hope they do. In other news i got one post coming soon of a tale how a bad design got backlash and managed to fixed it while the other is the opposite. 

The Cult of Community: Why the Show Should've Been Canceled Sooner

There was a time when I watched Community and thought, "Hey, this could go somewhere." But then, the show took a nosedive into something unrecognizable. What began as a quirky, slice-of-life comedy about a group of misfits in community college quickly mutated into a chaotic, self-absorbed satire that lost any shred of emotional core it once had.

And you know what? I never found Dan Harmon funny or brilliant. Not once.

Let’s not sugarcoat this: the show became cringe. A Frankenstein of genre parodies, meta commentary, and smug inside jokes that catered more to internet forums than actual human viewers. The writing leaned so hard into clever-for-clever's-sake that it forgot to be relatable or, frankly, entertaining.

Fans often defend Community with lines like "It was ahead of its time!" or "It was a masterpiece of meta-comedy!" But let’s be real—most episodes in the later seasons were so far up their own creative backsides, they forgot the point of television: to connect with people.

Ratings? Dead. The audience? Bleeding. The tone? All over the place. Yet somehow, it dragged on. NBC should have pulled the plug, and fast.

The reason it didn’t? Loud internet fandoms and the "six seasons and a movie" meme. It became a brand, not a story. A movement, not a meaningful series. And Harmon? He shouldn't have been anywhere near a writer's room. His drinking, missed deadlines, and reputation for toxic behavior are well-documented. Yet studios gave him a free pass in the name of "creative genius."

But I never saw that genius. I saw a showrunner who cared more about flexing his ego than developing characters. I saw a show that abandoned its soul in favor of gimmicks. And I saw fans latch onto it not because it was good, but because it felt different—and different, unfortunately, got confused for deep.

This wasn’t a slice-of-life series. It wasn’t a coming-of-age story. It was a parody of itself, trapped in a loop of diminishing returns.

Community should have been canceled. Not out of spite, but mercy. A once-promising premise buried under layers of noise, chaos, and self-indulgence. Some call it a cult classic. I call it a cautionary tale.

Lock it up. Shelf it for good. And next time, let’s make sure the emperor’s actually wearing clothes before we hand him six seasons and a movie.

Why the World Was Better Off Without Rooster Teeth and RWBY

Let’s not pretend this is about nitpicking animation frames or a few weak episodes. This is about a studio that promised innovation and community-driven storytelling — and instead delivered regression, identity confusion, and corporate pandering disguised as creativity. At the center of this implosion? RWBY. But yet the world was better off without Rooster Teeth and because Burnie wants it back so badly, he couldn't even let it go and move on with his life. But for rwby and still am upset with Viz Media 

The Death of Indie Authenticity

→ “From Garage to Corporate Graveyard”

Rooster Teeth used to be about grassroots creativity.

Red vs. Blue was lightning in a bottle — funny, raw, community-built.

But when they “scaled up,” they sold out. It became about merch pipelines and media deals over storytelling.

Crunch culture, internal scandals, HR disasters — this wasn't a company with flaws, it was a company built on ignoring them.

RWBY’s Legacy of Failure

→ “Style Over Substance — and Even the Style Got Worse”

RWBY began as a visual spectacle with Monty Oum’s kinetic animation. But it had one major flaw: no one knew how to write.

After Monty’s passing, the soul left the show. RT mishandled the series like a clumsy child with a glass sword.

Retcons. Inconsistencies. Plot threads dropped like bad habits. Characters written for Tumblr clout rather than narrative cohesion.

Pushing shipping wars and identity politics became more important than stakes or worldbuilding.

You can't build a compelling universe when your writers are rewriting it mid-season just to score social points.

 The Corporate Rot

→ “Community-Driven in Name Only”

Rooster Teeth weaponized its community — for free labor, for blind loyalty, for financial support they didn’t earn.

Merch lines, conventions, spinoffs — all to keep the brand afloat while the content quality tanked.

Fans who criticized were banned or buried. Constructive feedback? Brushed off unless you were a verified influencer. Take a look at Barbara Arryn Edd Miles Kerry and the folks at rooser teeth. 

At some point, it wasn’t about making something cool anymore. It was about pushing an image and maintaining brand synergy — even if the soul was dead.

Why We’re Better Off Without Them

→ “When a Giant Falls, Something New Can Grow”

Creators are no longer beholden to Rooster Teeth to break into animation.

Indie animators, VTubers, YouTubers, and small collectives are producing better content — without the baggage.

RWBY’s failure taught everyone what not to do: don’t ignore your audience, don’t substitute message for story, and don’t forget why you started.

RT fading into irrelevance isn’t a loss — it’s an opportunity for the real creatives to rise.

The Enablers and Echo Chamber: Naming Names

If RWBY fell apart, it wasn’t just because of poor direction or burnout — it was because the people involved refused to course-correct. They either didn't understand the criticism, willfully ignored it, or doubled down on mediocrity. Let’s break it down.

Kerry Shawcross

Let’s be blunt: Kerry went from Monty’s apprentice to RWBY's biggest liability.

He’s not a storyteller. He’s a fanfic-tier plotter at best — one who had years to learn and didn’t.

From bland dialogue to character arcs that go nowhere, Kerry kept failing upward, safe behind a shield of “well, he’s trying.”

The man couldn’t even handle V9’s pacing or tone, and now V10 looks like it’s been stitched together with duct tape and VTube filters.

Miles Luna

Used to be the fandom’s golden boy — now he’s the symbol of soft retcon and soft writing.

Spent more time making jokes on panels and loving the sound of his own voice than actually developing tight scripts.

His emotional arcs (Yang’s trauma, Blake’s redemption) were either unresolved or shoved into shipping fuel for internet points.

Left the show, came back, ghosted it again. What was the plan? Did he ever have one?

Eddy Rivas

Mr. “Lore Matters”—except when it doesn’t.

Built the World of Remnant, then smashed its internal logic to favor whatever Season X flavor he was pushing.

Vacuo was undercooked, Atlas was a tonal disaster, and don’t even get started on Cinder’s convoluted mess of a backstory.

Tried to play it serious, but when V9 asked for emotional clarity, Eddy delivered a PowerPoint presentation on how to ruin payoff.

The Fan Gurus and Gatekeepers

These weren’t just critics or fans — they were corporate guard dogs who helped suppress criticism and uphold Rooster Teeth’s fragile image.

CanonSeeker (or whatever his latest handle is)

Chronically online. Weaponizes lore to invalidate critique.

Makes 40-minute videos arguing that you just “don’t understand RWBY's deeper meanings.”

Translation: If you don’t like it, you're either wrong or not intelligent enough. Classic gaslighting.

MurderOfBirds

Once positioned as a “fan voice,” but turned full-on PR mouthpiece.

Critique died the day he got flown out to RTX.

Has a badge of access, not a badge of truth — and that access costs honesty.

Calxiyn and TheRWBYStyle

Shippers before storytellers.

Turned their platforms into sanctuaries for “safe discourse,” which means anything that doesn’t rock the RWBY boat.

Ignored writing flaws, called out fans for “toxicity,” but never once checked the writers’ failure to deliver.

RobinRising

Built clout on the backs of fan theorists, then turned around and mocked the critics the second it got real.

Obsessed with being right. Never interested in listening. Typical shill so calm and no idea if he ever respond to a criticism of rwby or himself. 

And Then Came Crunchyroll + V9/V10

Let’s talk about Crunchyroll's "rescue". RWBY didn’t get a revival — it got a plastic surgery disaster.

Volume 9 was marketed as deep and philosophical — instead, we got Alice in Wonderland meets a college improv class.

Characters regressed, pacing was glacial, and the ending? Just a setup for more product placement in Volume 10.

Now V10 is being delayed, reworked, and previewed in chunks. This isn’t hype — this is content triage.

To the Fans Who Feel Burned Like I Did: You’re not toxic. You’re not entitled.

You’re just someone who expected the show to respect your time, your passion, and the characters it introduced. If the creators couldn’t handle that? That’s not on you. Don’t let echo chambers and YouTube shills convince you that you’re the problem. You’re not. They are RWBY isn’t a tragedy because it ended. It’s a tragedy because it could’ve been great — and instead, it became a masterclass in what happens when creativity bows to cowardice.

Final Advice: Fandoms, Discords, and the Myth of “Constructive Positivity” Word of advice. Be the Lone Wolf. Own Your Voice. In today’s fandom climate, honest critique is treated like heresy. You speak your mind, and a dozen bootlickers will rush in with lore PDFs, emotional guilt-tripping, or smug lectures about “letting people enjoy things.” But here’s the truth: you’re not toxic for wanting better. You’re not negative for pointing out when a story falls apart. You’re a lone wolf because you see through the fog. And that’s powerful. You know who you are.

Yes, you — the one who replied to my post that lectures me all the time and never shuts up.

You're the type of fandom’s hall monitor that comes after my post or when I post a link, if I were you pal, don't bother. Maybe I expect someone else than you and don't come up and lecture me and say be positive or neutral, no forget it. Every fandom has to be so toxic. Being alone is better, or if you don't feel like being alone, then move on with your life. 

Next time someone critiques the show, maybe don’t throw academic fanfiction at them like it’s gospel. Sometimes, the best move is to just shut up and listen. And To Everyone Else Still Clinging to RWBY’s Sinking Ship: I get it. RWBY mattered. It had potential. It was fresh, it was bold, and it carried Monty Oum’s heart and soul. But Rooster Teeth killed that spark. The writing collapsed. The worldbuilding imploded. The show became a brand, not a story. And those of us who spoke up? We got labeled toxic, rude, or not real fans. But here’s the thing: We were right. And we still are. This blog isn’t about being bitter. It’s about being honest. RWBY had a chance to become something iconic — and instead, it became a blueprint for how not to run a show, a studio, or a fandom. So if you’re done pretending, done accepting crumbs, and done being gaslit by corporate storytelling and fandom influencers? Or follow those cosplayers who agree with a company and wants you too maybe don't some of them aren't what they use to be. 

Welcome to the pack.

A sky full of stars

Ok, so this track from Coldplay, from what i remember before, was like hearing it from childhood that i used to listen before and i have heard of Coldplay before like viva va track that gives me memories of my childhood from 2008-2010s This alone gives me memories of 2010 that i have. Probably my second favorite from Coldplay. 

RWBY Volume 10: A Disaster Waiting to Happen - Why a Reboot Is the Only Way Forward

RWBY has been a rollercoaster of potential and missteps. And now with the latest buzz surrounding Volume 10 and the so-called "early writing and planning," I have to say it outright: this isn't hope—this is desperation.

I don't care how many cosplay influencers, shill accounts, or corporate voices try to spin this as a great return. Volume 10 is not a triumphant continuation. It's the final stretch of a once-promising IP being dragged over the finish line by a studio—Viz Media—that might not even have the full resources or a confirmed animation studio to make this happen properly.

Let me ask: Where's the budget? Where's the confirmed studio? Who's funding this? Hulu is a streaming platform, not a production house. Unless Viz Media has millions saved up from overpriced merch and re-releases (which I doubt), we're looking at a project being run on fumes.

And then there’s the question of voice acting. Outside of Japan, RWBY has no real dub support. Viz would either need to license out dubs to other countries or risk alienating audiences with AI voiceovers, which is already controversial in many countries. This doesn’t look like growth—it looks like corner-cutting.

Let’s not forget the writing itself. Volume after volume, we've seen Kerry and Miles fumble with lore, character arcs, and basic structure. Penny, Pyrrha, Adam, CFVY, even Ruby—all these characters deserved more. Instead, we got Bumbleby shoved down our throats not because it was well-written, but because it pandered to a subset of the fandom.

This isn’t representation. This is exploitation. It's merch-driven narrative dressed up as diversity.

A reboot is not just necessary. It's the only way to redeem this franchise:

New VAs.

New writers.

New creative leadership.

Keep the concept, but fix the execution.

RWBY could have been the next Avatar: The Last Airbender. Instead, it's becoming a cautionary tale in how to alienate your fanbase and crash an IP with great potential.

Let the cosplayers, shills, and content creators who thrive off this mess celebrate Volume 10. But don’t say we didn’t warn you when it all falls apart.

Reboot RWBY. Or bury it.

End of story.

RWBY on Hulu: A Streaming Deal Isn’t a Revival

Let’s get something straight.

RWBY being added to Hulu on July 5th is not the win some fans are pretending it is. It’s not a resurrection, not a greenlight for Volume 10, and certainly not a revival of Rooster Teeth's original vision. It’s just reruns.

1. Streaming Isn’t Production

Viz Media is testing RWBY’s back catalog on streaming platforms like Hulu. This doesn’t signal any sort of production deal. It means Viz is looking for a return on what they already own. That’s it. Putting a series on Hulu is standard business when a company wants to milk residuals.

There is no confirmed studio attached to Volume 10. No director. No animator. No public funding or campaign to get it going. And certainly no crew like Miles Luna, Kerry Shawcross, or the classic VA lineup committing to a future season.

2. Don’t Fall for the Copium

We’re in an age where hope sells more than reality. The RWBY fandom is still reeling from the disbandment of Rooster Teeth and the fallout of Volume 9's reception. Some folks cling to the idea that Viz is secretly planning Volume 10, and the Hulu drop is step one.

It’s not. It’s called content dumping. Many companies throw their older IPs onto platforms to recoup losses or test engagement. That doesn’t equal greenlighting an expensive new volume.

3. Anime Expo Bait?

Some fans speculate this was announced before Anime Expo to hint at a bigger reveal. Maybe. But if a Volume 10 was actually happening, wouldn’t that be the big headline at the expo? Instead, we got a Hulu re-release.

If there’s a reveal coming, great. But don’t bank on a fully funded production. At best, we might get a manga. At worst, more delays and vague statements.

4. A Reboot Is Still the Best Option

RWBY is a burned-out brand. From poor pacing, divisive storytelling, to excessive pandering (yes, Bumbleby and shallow symbolism included), it alienated a large portion of its fanbase. If Viz truly wants to revive it, they need to reboot it:

New writers

New voice actors

Drop Kerry, Miles, Lindsay, Barbara, Kara, and Arryn

Reimagine the story with actual structure

Focus less on fandom-pleasing ships and more on coherent worldbuilding

5. Where Is the Money Going?

Viz isn’t rolling in endless cash. Outsourcing to a proper studio for V10 would cost big. If they don’t have a reliable partner (MAPPA? Studio Trigger?), then who’s footing the bill? Hulu? Doubt it.

Final Thoughts

Let’s stop pretending a streaming deal is a new beginning. RWBY on Hulu is a corporate move, not a creative one. Until Viz or a legitimate studio announces funding, staff, and direction, there is no Volume 10. Just echoes of what could’ve.  

You want to know what the real move is? A reboot.

Start from scratch. New voice cast. New creative direction. Scrap the old CRWBY. Kick Miles, Kerry, and the rest out of the picture. The brand is damaged. The story meandered, characters got butchered, and the fanbase splintered after pandering and tone-deaf decisions. Bumbleby may have been the breaking point, but it’s been a slow decline. A reboot gives RWBY a chance to win people back. Give it to a new team with actual passion and vision. Adapt it as a manga first. Let it breathe.

And yeah — I’m sure those who’ll laugh it off will reply back saying “reboot ain’t gonna happen” or think they’re right or wrong just because they claim to have “knowledge” or a “source.” But guess what? Clinging to the old mess is just asking for disaster. If you don’t want a reboot, that’s your disaster to enjoy. Because a reboot is the only option left.

Let Hulu have the reruns. Let the old cast fade. It’s time to rebuild from the ground up — or just let RWBY die a slow death.

I said what I said.

My cat was put to rest

Hello all so I know I've been so much busy mainly with work and just dont have the time or got distracted too but the reason why I'm writing this is that my cat lisa was put to rest and I haven't felt like myself for quite awhile and just not in the mood for writing and I haven't this in awhile. You see I got Lisa when I was 15 after my other cat had a heart attack and we buried him and later on August 2015 went by and September it was but the 15 and we got lisa and she was the sweetest cat to ever have and she's been with us up until today and I felt like she's was nicest and sweetest cat to have. 

Than came today but she wasn't feel alright this month and my mom and I found lisa hiding under the bed we knew something was wrong and we took her the vet but she had heart failure so we put her down now I have ratchet. As of writing this I dont know if I'll still write or will be taking some time off cause I feel like it and just wanna grief I did had plans to publish more posts but since I gotten busy and my cat was put down I feel like I need to take some time off maybe a month or two I can't say when I'll be back.

Lisa thank you for everything you were the sweetest cat to have. Now I have left is ratchet.

What are the cameras that i really want

Okay after watching some old videos from the 2000s and this film call zero day that this the director name ben coccio and he use Sony DCR-TRV 900 3-chip Mini DV, and Sony Digital 8 Camera s i thought of using it too for my youtube content no idea what it could be maybe vlogging or doing some fan made work while doing my comic book series but look at other alternatives. 

Canon PowerShot G7 X Mark II or III:

These compact cameras are popular among vloggers due to their portability, great image quality, and a flip-up screen. The Mark III version also has live streaming capabilities.

Sony HDR-CX405:

A very affordable camcorder with decent video quality, image stabilization, and a long battery life. It's not as high-end as other options, but it's great for basic YouTube videos.

Logitech C920 HD Pro Webcam:

If you're recording from your computer, a good webcam like the Logitech C920 is a solid choice for basic streams, tutorials, or sit-down videos. It's much cheaper than a dedicated camera and offers 1080p video.

Panasonic Lumix DMC-G7:

A great entry-level mirrorless camera that offers 4K video recording at a lower price. It also has a flip-out screen and is a solid choice for anyone serious about starting a YouTube channel on a budget.

But i did look at canon eos m50 mark 2 and sony zv-1. So maybe i might use them but i'm more of a old school guy and use old tech cameras sometimes newer cameras are alright but i haven't yet try it and maybe go and see at staples and best buy around my area. I look through 2000s camera maybe 98 and 99 cameras not much else and decided to look at the cameras that were use in zero day and while watching the opening and thought wow imagine if i had a camera setup and speak directly to the camera and talk of other things of my content and who i am i did try this on my camera from my computer but eh not much and same on my laptop and phone but awful so delete unless it's lost media. So whatever happens i might get one and see for myself later on. 

Half Life

 I was 15 years old when I first picked up The Orange Box for my Xbox 360. I’d heard a little about Half-Life 2, but I didn’t really know what to expect. What I got was something way more immersive than I was used to—a game that threw me into the shoes of a silent scientist with a crowbar, fighting through a dystopian world filled with strange creatures, physics puzzles, and a story that felt like it had weight. The game was long, and at times I struggled to get through it, but something about the atmosphere stuck with me.

As I kept playing, I began to learn more about the wider Half-Life universe. I started seeing the memes—the ones asking, “Where’s Half-Life 3?”—and realized there was a whole community that had been waiting for years. I heard the theories, the speculation, the countless forum posts dissecting every detail of Episode Two’s ending. I hadn’t played the earlier games on PC yet, but I was fascinated by how obsessed people were with the mystery. It felt like a pop culture ghost story.

Eventually, the silence from Valve grew louder than any rumor. No news, no updates—just nothing. Life moved on. New consoles came and went, new franchises rose up, and Half-Life became one of those legends people still talked about, but no longer expected to return.

Then came 2020. During the pandemic, I found myself with more time and ended up booting up the original Half-Life on my computer. I didn’t finish it, but it reminded me of the roots of the series—the quiet, eerie corridors of Black Mesa and that sense of being completely alone in something much bigger than myself. That same year, Half-Life: Alyx dropped for VR. I didn’t have a headset, so I didn’t play it, but I followed the story and watched some playthroughs. It was beautiful and intense, and for the first time in years, it felt like Valve hadn’t forgotten about Half-Life after all.

And now, in 2025, the rumors have returned—louder, more credible, and harder to ignore. Whispers of Half-Life 3 being in development, and maybe even releasing this year, have reignited something in me. The same feeling I had at 15, when I first stepped into City 17, is coming back. I don’t know if the game will live up to the hype, or if it’ll even be called Half-Life 3—but maybe that’s not the point. Maybe the point is that I get to suit up one more time, grab my crowbar, and head back into the fight.

Whatever comes next, I’m ready for it.

Pitbull Kesha Timber

Hey quick question if you were to ask a song that you remember hearing back in school than maybe you might have heard this song call timber where kesha was in and wow after hearing this song from a Instagram or youtube short and than after having flashbacks of hearing it in school or when my mom use to drive me place this came to my head right around 2013 again this was when i was high school well I was 14 at the time. Man I remember hearing this music with my friends even partying too. 

 

Photos from 2014

I found these photos and thought of sharing it back in november 2024 but things got busy for me. But anyways these photos was when i went out and look down and see the rivers down below and thought how amazing it was. 

Ahead was the rivers and no idea where it leads to and wow i had a good time back than which i was in 10th grade at the time. 

Three of these photos i took before heading back home as that was going on i thought much of it and this was in 2014 of november before i head back i stand there listening to music and calm and relax back than while hearing the rivers down below as i was like i had a great time. There might be one or more photos i could one day share and find if i could any of them around or maybe 2015-19 who knows.